Blue and white porcelain, also known as white blue and white porcelain, often referred to as blue and white, Han ceramic fired goods treasures. It is one of the mainstream varieties of Chinese porcelain and belongs to the underglaze colored porcelain. Blue and white porcelain prices appear in the market a lot, the following small series briefly introduces the price of blue and white porcelain .
Blue and white porcelain uses cobalt oxide containing cobalt ore as raw material to draw patterns on the ceramic body, then cover with a layer of transparent glaze and burn once by high temperature reducing flame. The cobalt material is blue after firing, and has the characteristics of strong coloring, bright color, high firing rate, and stable coloration. The original blue-and-white porcelain was seen in the Tang and Song dynasties, and the mature blue and white porcelain appeared in the Hutian kiln in Jingdezhen in the Yuan Dynasty. The Ming Dynasty blue and white became the mainstream of porcelain. Qing Kangxi developed to the top. During the Ming and Qing Dynasties, it also burned a variety of blue and white flowers, green peacock green glaze, bean green glaze blue and white, blue and white red flowers, blue and white flowers, blue and white glazed varieties.
·Collection Name: Blue and White Pine Flower and Bamboo Bowl
Collection age: Qing Kangxi
Transaction price: 3.45 million
Description: This piece of blue-and-white pine cedar bowl is a classic of Kangxi's official kiln. This bowl is used for bucket-type, open-mouthed, slanted wall, straight-circle-foot, and foot-double-ringed blue-and-white books. Refined tires are structured and rigorous, and their techniques are superb. The modelling method is based on the beauty of the Zhao and Song system, light and elegant, and simple. Washing and refining, the tires are thin and light, the quality of the fetuses is dense, and the quality is pure. It is the name of Kangxi's tires, "glutinous rice juice," and "like jade." The combination of fetal glaze and enamel is meticulously smooth and lustrous. It contrasts with the color of blue and green cyan and complement each other. It is a unique feature of Kangxi's blue and white flowers.
·Collection name: blue and white auspicious big holding bottle
Collection age: Qing Qian Long
Transaction price: 6.49 million
Description of the collection: This blue and yellow auspicious hovering bottle is grand and majestic, quaint and dignified, and it is one of the largest models of the Qianlong period. The lips are straight neck and the neck ornaments are deformed with double-eared ears. They have distinctive characteristics of the times. They are one of the earliest styles of the earliest bottles of the Yongzheng-Qianlong era. The round, large and flat bottles are paired with the beautiful and graceful ears. The overall visual effect achieves a sense of balance and realism, making the device stable and beautiful. The whole body is decorated with blue and white flowers, and the motifs are painted on both sides of the bottle belly with eight auspicious lotus motifs, while the central circular convex surface of the abdomen is decorated with radial pattern flowers, and other parts are painted with tangled ganoderma lucidum motifs. The blue and white flowers are bright and beautiful, Cuiyu is dripping, and the enamel is clear and mellow. The method of spot painting exerts itself to display the ink effect that is close to the dignified blue and white flowers. In particular, the eight auspicious ornaments are numerous and complicated, but the paintings are nuanced and detailed. The ribbons on both sides are folded and changeable. The lightness is as true and the movement is strong. It is a rare example of Qianlong blue and white porcelain.
·Collection name: 6.44 million transactions blue and white Kowloon bottle
Collection age: Qing Jiaqing
Straight mouth, long neck, slip shoulders, drum belly, ring foot. The mouth decorated with blue flowers wishful moire, the bottom of the abdomen to do sea water Jianghua. Neck and abdomen decorated with blue dragon, dragon scale into a neat dot. The stage from Jiaqing to Guangxu belonged to the middle and late Qing Dynasty. With the decline of economy and culture, the society began to fluctuate and fluctuate, with constant internal and external troubles, Jingdezhen porcelain production has also been affected, and the porcelain making level has obviously declined. As "Toya" reads in the book: "After all, the painters and colorists went straight down." There are not many records about the porcelain making process at this stage in history, but later generations wrote about the Qing Dynasty. Research on the development of porcelain often ends in the Qianlong period, and there are few descriptions of the features of the blue-and-white porcelain after the Qianlong period.
In fact, from the perspective of the development of the entire Qing Dynasty porcelain, this stage is also indispensable. It is also necessary to analyze and understand the porcelain of this stage. Judging from the blue and green porcelain of the late Qing Dynasty collected by the Qing Dynasty, the number of varieties is also quite large. Although the production level cannot be compared with the three blue and white flowers of Kang, Yi, and Gan, the production of ceramics for life in the palace and furnishings is also very Strictly, some of them are exquisite. The book “Tao Ya†pointed out this point when describing the status of the porcelain industry at that time: “Extremely refined goods, still unavoidableâ€. The device can be referred to as the fine works of the Jiaqing period. The bottom of the device is a blue-and-white three-line script for the “Great Qingqing Jiaqing Year Systemâ€.
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Product description
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Brand name
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Material
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Air pressure testing
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Salt spray test
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OEM and ODM
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